What fun it was to letter this menu!
Being one who works with calligraphy and design, pretty much day in and day out, one would think that I would produce the most gorgeous valentine for my love. However, I shamefully must admit that over the last few years I have been so busy that my wonderful husband has received a purchased card.
However, this year I broke out of the rut and made him a valentine! It is simple and sweet, so it was a surprise to realize that taking a photograph of three paper hearts suspended on golden thread is not as easy as I had imagined … and I certainly didn’t expect the drama involved of keeping still all those moving parts. ; )
So, whether you celebrate with your family, a loved one, or just do something loving for yourself, my wish is that you have a wonderful day!
So, now you know … my latest invitation project was this! It only took one or two samples to get the calligraphy style right and then it was on to the border to create the flourishing, something I had been wanting to try for a while so this was a perfect opportunity to see what would happen. My first glimpse of the invite came by way of a tweet by @hughhefner. Congratulations to the happy couple!
This past October I had the extreme pleasure of working with a bride on accessories for her wedding. As a matter of fact, Jen Lauren Grant is, herself, in the wedding industry, and is a photographer. Here are a couple of photos of the cards I did for her. Anyway, Jen’s photographic work is just beautiful and she has a lovely blog on which she wrote a very nice testimonial about me. Thanks, Jen!
A little something from the archives today … From last year’s A Lovely Workshop in Napa and photographed by Elizabeth Messina.
Have a great week!
Although I have always loved Weathergrams, this was the first time I created any myself. They were developed in the mid-1920s by Lloyd Reynolds, who taught writing and calligraphy at Reed College near Portland, and were meant to be written on brown paper (mine came via Trader Joe’s shopping bags) and hung in a tree, to be exposed to the rain and elements, and to gently weather. These eventually went to France, and so I don’t exactly know what has happened to them, but I had a chance to snap some shots of them before they made their journey.
A quick snippet of calligraphy I did recently on a CeCi New York design.
Out of the blue, back at the beginning of February, I received a delightful email message asking me to participate in a project involving cities and type at Neue. How could I have said anything but “Yes!” to the person who offered such lovely words about my work.
Using a pointed pen, I crafted the name Barcelona to be somewhat rough, and based the lettering on Visigothic Versals, a style I had the pleasure of getting to know in a fabulous class taught by my friend, the ever talented Risa Gettler. Of course, I had to throw a few flourishes into the mix and here you can see the results. If you have a few minutes, do take a click on over to Neue and check out the Barcelona gallery, you’ll be glad you did!