Today my custom postage was featured in a post at Felt & Wire, Mohawk Paper’s blog, and penned (or, perhaps keyboarded) by writer extrordinaire, Alyson Kuhn, from whom I have reverently borrowed the title of this post. Take a look now, but be sure to also bookmark Felt & Wire, to make sure you can go back often to peruse the excellent content.
My appreciation extends to Alyson for today’s post, as well as the post she, a.k.a. AOK, wrote on Tuesday, Monograms à la modern, in which she discussed my monogram designs that I offer through the Felt & Wire Shop.
Those of you who have been reading my blog may already know that I have calligraphic Love postage stamps available for purchase in my Zazzle shop. And now, thanks to a lovely bride named Kendra, available in the shop as of this week, is an all-new Rsvp stamp, designed in calligraphy to coordinate nicely with the popular Love stamp.
Both the Love and Rsvp stamps are offered in a range of colours, but should you not readily see your scheme, they are customizable to those of your choice!
No time of year makes me happier than does the one we are in now. I’ve gotten past the big work push for a few days and am looking forward to some time away from drawing board, at least for a day or two.
Christmas brings me much joy, and my hope and wish is that the coming days of this festive season bring you much happiness, as you celebrate with those you love!
This was quite a fun, yet challenging project … designing the “perfect” version of the words Save The Date, in a flourished calligraphic script. The photograph was taken by Elizabeth Messina, and the invitation was designed by my friend Susan at Papel Paper & Press.
How exciting to be part of a give-away! Particularly one curated by photographer extraordinaire Elizabeth Messina. To see what is in store, head over to her blog, Kiss The Groom, then cross your fingers and throw your name into the hat (by leaving a comment) ….
Although I have always loved Weathergrams, this was the first time I created any myself. They were developed in the mid-1920s by Lloyd Reynolds, who taught writing and calligraphy at Reed College near Portland, and were meant to be written on brown paper (mine came via Trader Joe’s shopping bags) and hung in a tree, to be exposed to the rain and elements, and to gently weather. These eventually went to France, and so I don’t exactly know what has happened to them, but I had a chance to snap some shots of them before they made their journey.
This poem, by Elizabeth Barrett Browning, was a delightful surprise to discover, tucked away in a folder with scans of other long-forgotten projects from the past. This was a commission for a client who wanted it to look like it had been secreted and carried in someone’s wallet for many years.